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Metal Stuff Interviews Italian Death Metal Outfit LECTERN

“Death metal must be a shockwave,with its aftermaths as lyrical subliminality like a shellshock! No compromise, no mercy!”
-Fabio Bava

 

First and foremost, the staff at Metal Stuff are all fans of the extreme sub-genres of metal. In particular, Old School Death Metal.

Usually we have to seek it out (through the net, mutual friends, record labels, etc), so when the guys in Lectern got ahold of us and wanted to do an interview – saying we were thrilled might be a bit of an understatement.

These guys fucking rip.

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You can check out/grab a copy of the album here. Last I checked physical copies were sold out, but you can always snag a digital download for about 6 bucks.

I have nothing but good to say about the music these guys put out – so instead of an album review I’m going to say check out their bandcamp and decide for yourself.

‘Precept of Delator’
LECTERN
Via Nocturna

Metal Stuff: I have to say, I don’t hear about many metal bands from Italy. How is the metal scene there? And how difficult is it for an Italian death metal band to get a following compared to other places in Europe or the United States? Are there a lot of opportunities to play live shows at home, or do you have to travel?

Fabio: “We had and we have great bands here right now, if compared to thirty years ago. Italian outfits are well known if we speak about Lacuna Coil, Death Ss, Labyrinth and others. The scene is full in every genre, from hard rock to grind as we have also, quite good venues for the shows, but most of the bands prefer to throw shit one to the others. It is a very stupid attitude I think, as for the public, they prefer big names to the underground concerts. Mentality follows how the people is, and it is reflected also in the way musicians play and behave. Do you think is it allowable, that famous musicians struggle each other, through stupid comments on the web? If I would be the owner of a record company, I should fire them all in one instant! Music is not a fucking blog, I think! Am I wrong about that?”.

Marco: “I guess, as for every place you live, it gets easier to play time after time. It depends of course by your popularity. Italy has a great problem about metal music, not very much interesting by the public, especially for emerging bands. So it gets even harder. That’s why we prefer to play outside (of Italy)”.

MS: You guys have been around since 1999 now, and it looks like you’ve gone through a few lineup changes. How have your new members influenced your sound on the new album?

Fabio: “I am the main influence, leading the band into Florida old school death metal. We formed with the only aim, of playing that kind of music, with a brutal but not technical approach. Who comes and went off the band, before joining Lectern already knew the musical direction at first. I hate misunderstandings, you know! Lectern death metal must be a shockwave,with its aftermaths as lyrical subliminality like a shellshock! No compromise, no mercy!”.

MS: I really like the fact that you guys stick with an old school death metal sound on Precept of Delator. How would you say the new album compares to your previous work?

Fabio: “We have not to look backwards, to the previous records and songs we wrote. It is not a sort of challenge! It’s death metal, you cannot always label if old school or classic, it’s fucking death metal! Almost all bands, play in the same fucking way, brutal, splatter and slam, there are no recognizing sides, all is the same! Why? Old school is the only way, as I said before! The intent with the new album, was to surpass whatever we ever recorded
in the years. I thought that we needed the best and raw sound, first of all for the guitars. We returned detuning them down of four tones, got the right cabinet and the best studio to record! Essentially, the songs are more brutal, with grunts  and the right harsh attitude. It’s not easy to reach that point, and for the next works expect certainly more and better!”.

Marco: “This new album is for me, more calculated. Not rushed as the first. With this one, we wanted to focus much on the atmosphere than the technique, while in the first one we were a little show-off. I personally took care of the sound effects, introductions and middle sections”.

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MS: I see you guys have played with some pretty big names (Angra, Sepultura, Incantation) is there any chance you will tour the United States in the future?

Fabio: “I hope so! We spoke about that many times, but we never found the real occasion to come along yet. You know, it’s very far from home, as we have to manage everything in all the aspects. Flights, stayings, coach, instrumentation and  amplification, wages, costs, venues, opening bands, merchandise, promotion and whatever. Playing in the United States will be the final leap into a sort of celebrity, and everything needs to be filled in all its forms. It is not just playing into another continent and Europe is different from North America! Yes, we hope to come one day, finally!”.

Marco: “If they call, we answer for sure, just keep that fake pizza away from me or I could kill someone! Anyway, it would be the perfect place for our music, the country where all began”.

MS: I hear a lot of old school death metal influence in your sound, what bands are you guys influenced by?

Fabio: “Sinister, Pestilence, Asphyx and Gorefest of the very beginnings, for the European side. Early bands of 1990’s Florida scene like Morbid Angel, Deicide and Monstrosity above all. Also the New York area is great with Immolation and Suffocation too, also from the American hinterland like Disincarnate, Incantation and Morta Skuld but without the necessity of being so  slow and doomish! I also appreciate some slam and gore bands, their ruthless approach is basic! I often listen to very old  bands like Cancer, Infernal Torment, Baphomet or Lemming Project. They were great combos with undeveloped ideas!
Not for their faults, but the reason was simply that labels begun not to be more so interested to death metal from the first half of the Nineties, from 1996 and on. I remember that Morgoth just the first name that comes into my mind, was another band in such period! If it is not death metal it is just fuck you!”.

Marco: “My drumming is based for the most on power metal of the 1990 and 2000, I got into death metal relatively later. Gamma Ray, Helloween and Rhapsody Of Fire for sure are bands I follow with attention, then some great inspirational drummers arrived later like Jordison, Mancino, Lombardo, Laureano and Kollias”.

MS:  What are your favorite songs on the new album and why?

Fabio: “As for myself, Palpation Of Sacramentarian kicks some Christian asses making me shitting in my pants alone, as for the first riff! Impressive, talented and fucking nasty as Satan!”.

Marco: “Fluent Bilocation is for me one of the most pleasant to be played, but I’m addicted to the final one, Discorporation With Feral. It gets a Slayer vibe that gets me every time!”.

MS: Is there anything else you want to tell us about the new album?

Fabio:
“It is a great record, buy it! Hush!”.

Lectern is:
Fabio Bava: vocals, bass
Pietro Sabato: guitar
Gabriele Cruz: guitar
Marco Valentine: drums

Contact Info:
www.lectern.in
www.facebook.com/lectern666
www.reverbnation.com/lectern
www.myspace.com/lecternband
www.metal-archives.com/bands/lectern
www.twitter.com/lectern666
www.instagram.com/lectern666
lectern@mail.com

Discography:
Bisbetical (1999)
Salvific Of Perhaps Lambent (2010)
Lectern (2013)
Fratricidal Concelebration (2015)
Precept Of Delator (2016)

What a Trump Victory Would Mean for Heavy Metal

In the interest of full disclosure, I’m a lifelong liberal. Not just a little bit liberal – very liberal. Like, tree-hugging socialist progressive grass-roots liberal. And I’m not making an argument for or against any presidential candidate. At this point, they all fucking suck.

The one and only point of this post is to illustrate trends in American heavy metal, and their relation to the US political climate. I will also illustrate that the same pattern holds true in Great Britain. Between the two countries, there’s been (for lack of a better word) a stranglehold on major movements in heavy metal history. And any other major movements or players in the global metal scene are subject to the same (or a very similar) pattern.

An important note here – I’m not implying causation. I’m implying correlation. Major trends in American extreme/underground metal have ALWAYS happened during conservative republican presidential terms. Likewise (with the exception of hair metal) all major “mainstream” trends in American heavy metal have happened during liberal (to moderate) democratic presidential terms.

I’m actually not the first person to notice this. I had been thinking about how there had been nothing but regurgitated crap (as far as new metal bands are concerned) coming out of the United States lately. Then it hit me, and I immediately did a google search to make sure nobody had already written an article on the subject. Lo and behold, some anonymous writer for a conservative website had noticed the same trend.

Established bands are another thing altogether, they’re not going to create a second wave of Thrash or Death metal with the same impact as the original. We’re in the middle of a “metal-bubble” right now (the market is absolutely saturated with good metal from established acts), and within the next few years it’s going to burst no matter what – but that’s another story for another day.

American Metal

In the United States, there really wasn’t much to speak of as far as original, ground breaking heavy metal besides a couple of bandwagon bands until the rise of thrash. From about 1970-1981 Americans might have consumed a good deal of metal, but most of the major artists were Brits. Sabbath, Motorhead, Deep Purple – Brits. Judas Priest? English. Iron Maiden? You get the idea.

Then something happened. Ronald Reagan won the Presidency of the United States, and ushered in a conservative era that lasted over a decade. Reagan was sworn into office in January of 1981. In that same year Anthrax, Dark Angel (not to be confused with Death Angel), Metallica, Pantera, and Slayer were formed. The following years saw Death Angel, Death, Megadeth, Testament, Atheist, GWAR, Morbid Angel, Nuclear Assault, Obituary, etc. Literally within a 3-4 year period you’ve got the seeds for two major movements/splits in heavy metal, not to mention about 2/3 of the base of what we now refer to as extreme metal. And it wasn’t just metal – VICE magazine just released an article discussing why Reagan was the best thing to happen to punk music.

I’m not sure if I can stress how big of a deal this is.The seeds for America’s permanent stamp on heavy metal history were planted and germinated during a very conservative time in the American political climate. During Reagan’s first term, the bands known as “the big four” all formed, and by the end of the second term Thrash had taken the world by storm. Metallica became the most successful metal band in the world, and Death metal was blossoming.

By the beginning of George Bush’s (senior) term in 1989, Death Metal had already overtaken Thrash. Obituary, Cannibal Corpse, Death, Deicide, Morbid Angel – Death metal was on the rise until it peaked out and stagnated around 1992-1993. Bill Clinton (Democrat) took office in January of 1993.

From 1993-2000, there were also major movements in metal that contributed to the culture as a whole metal pretty much sucked. And the overall political atmosphere of the United States was predominantly liberal/democrat. Remember Grunge? Clinton era. Nu Metal? Clinton. Slayer’s attempt at nu-metal? Clinton era. Metallica cuts their hair, goes “alt-rock”, and takes photos tongue kissing each other? Clinton era. Limp Bizkit and Linkin Park? Thanks a lot, Democrats.

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Enter 2000, a democrat wins but is rick-rolled out of office by a republican. Suddenly, there’s a resurgence in metal. A lot of players in what is commonly referred to as the “New Wave of American Metal” start picking up and getting more attention and rotation. Killswitch Engage, Lamb of God, Shadows Fall, and Chimaira all released albums – essentially a mutated Thrash renaissance. Also of note, Devourment started getting big. Slam was born, and real brutal death metal started taking off. Tech Death flourished. Ozzfest, admittedly around since the Clinton era, took off and saw it’s highest attendance ever.

2008, Obama wins. Ozzfest stops touring the US. Metalcore devolved into a bad caricature of itself, and Deathcore (a death metal influenced offshoot of metalcore) came to prominence. Blackgaze took off. You get the idea.

I’m not here to debate whether metalcore/deathcore/blackgaze are good or bad, I’m talking about global musical impact. There are Thrash bands, Death Metal bands, and Black metal bands all over the planet. Beyond the United States and Great Britain, there aren’t very many deathcore or metalcore bands. Deathcore has gotten to the point where quintessential founding bands of the genre like The Acacia Strain refuse to be associated with the term any more. And it seems like, while the rest of the world might not mind listening to these bands – by and large they don’t replicate these styles.

make-america-metal-again

Global Confirmation of the Trend

Black Sabbath released their debut album under a conservative Prime Minister (in fact, he was from a political party literally called “the conservative party”). The NWOBHM occurred during the reign of the Conservative Party in Britain (in fact, the party held sway for 57% of the 20th century in Britain). Grindcore as a genre germinated almost exclusively under conservative control.

In the early 90’s, Black Metal came to the attention of the entire world through a scene that formed, in large part, as a cultural response to the incredible grip conservatives had on the country.

Sepultura? Rose on the tail end of an authoritarian conservative regime in Brazil. Behemoth? Yeah, Poland is still wicked conservative.

And this isn’t to say that there isn’t good metal made by bands during liberal regimes. It’s saying I haven’t seen a legitimate artistic movement within American heavy metal that’s permanently changed the face of metal during a liberal regime. There are probably always going to be dark-horse bands like Pantera that carry the flag for decent metal – I’m just saying as of right now they seem to be the exception, not the rule.

hillary-clinton-throws-horns-900x515
(Clinton fans, don’t get your panties in a bunch. Hillary Clinton is still more conservative than any honest democrat should be comfortable with. I’m sure there will be plenty of angry music made if she’s elected. I’m just saying it’ll be shitty mainstream stuff that’s overtly politically correct)

Conclusion

If Trump wins, America’s going to start pumping out the fucking jams. The “Metal Bubble” we’re currently experiencing will probably pop immediately following his presidential term (4-8 years, depending on how generous you are. Remember, we as a country elected George W. Bush after he stole the election the first time, so don’t give American voters too much credit). We might even finally get another “real” movement in extreme metal.

If Hillary Clinton wins, subsequent movements in heavy metal will all be mainstream in nature, and the trend of whiny millennial hipsters taking over the American metal scene will continue. Metal concerts will continue to be referred to as people’s “safe spaces”, and former leaders in the metal scene like Phil Anselmo will continue to be demonized. Metal will continue down the track it’s on, and become a bad parody of itself.

  • If you’re voting for Trump (and listen to metal), this is probably another vindication of your choice to vote for him. Good for you.
  • If you’re voting for Clinton (and listen to metal), consider it a silver lining for if she loses. As of right now, it’s not looking great.

Whoever wins, we’re all fucked. We’re literally watching the crumbling decay of an empire. It’s unavoidable at this point. I just want there to be a decent soundtrack.

 

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