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Metal Stuff’s 2017 Review: The Year in Metal

The Good

It was a good year for metal releases.

I think the metal community got spoiled after last year’s “metal bubble” and the Thrash revival. Compared to the incredible amount of good music that got dumped on us anything is going to seem lackluster, but 2017 was a good fucking year for heavy music (once you accept that 2016 was a happy fluke).

Metal Stuff Top 15 albums of 2017

15) Suffer in Paradise – Ephemere

Suffer in Paradise - Ephemere

Quality Funeral Doom from Russia, this album was my “October surprise” for 2017. The synth is a little weird at first, but the contrast lends to the overall atmosphere of the album.

 

14) Loss – Horizonless

Loss - Horizonless

I actually didn’t like this album the first time I listened to it. Glad I gave it another chance – guess it’s more of a grower than a shower. Not necessarily a bad thing, albums like that tend to stand the test of time.

 

13) Nortt – Endeligt

Nortt - Endeligt

Holy fuck. This solo Funeral Doom project from Denmark never disappoints. His last album (Galgenfrist) was released 10 years ago, and the decade long wait for the new album was more than worth it. Dark, gloomy, cold, and most importantly heavy as fuck.

 

12) Belphegor – Totenritual

Belphegor = Totenritual

I’ve been stoked for this album since Belphegor released the video for “Totenkult – Exegesis of Deterioration” 2 years ago. Another album that was well worth the wait.

 

 

11) Akercocke – Renaissance in Extremis

Akercocke - Renaissance in Extremis

A lot of people didn’t like the clean vocals on the album. I’ll admit, Jason isn’t getting any younger – and time has taken a bit of a toll on his vocal chords. But as a whole, that doesn’t really take away from the album for me. The band is as sharp as they’ve ever been, and while the cleans in some sections seem a bit strained, I almost wonder if that’s intentional – because if you listen to other tracks (like the one below), the cleans are pretty fucking good. I dunno, judge for yourself.

 

10) Tie (Cannibal Corpse – Red Before Black and Morbid Angel – Kingdoms Disdained)

I couldn’t choose, both bands released some quality material this year (in both cases, also significantly better than the previous release). Straightforward, in your face death metal with no bells or whistles.

 

9) Kreator – Gods of Violence

Kreator_-_Gods_of_Violence

Right on the tail end of the Thrash resurgence, Kreator dropped an excellentalbum that (like most albums released in the first half of the year) seems to have been left out of people’s top albums of the year. Why/How is beyond me, this album is quintessential thrash.

8) Bell Witch – Mirror Reaper

Bell Witch - Mirror Reaper

Probably the Funeral Doom release that received the most hype this year (for good fucking reason), the album has lived up to and surpassed any expectations I had. Mirror Reaper seemed to dance on that “invisible line” in the doom metal spectrum between Funeral Doom and Drone (not a bad thing)

 

7) Eluveitie – Evocation II

Eluveitie-Evocation-II-Pantheon

I know, I know. It’s a fucking acoustic album on a top metal albums of the year list. Since recruiting like 20 new members, it’s cool to see these guys bouncing back stronger than ever.

The band already has a full-on folk metal album in the works, and I’m as excited as a pig in shit. If the entire album holds up to the teaser single below, we’re in for a treat next year.

 

6) Mesmur – S

Mesmur-S

These guys need to cough up some merchandise so I can throw more money at them. This was another album that caught me completely off guard this year. Pure sonic embodiment of despair.

 

5) Funeris – Dismal Shapes

Funeris - Dismal Shapes

Argentinian Funeral Doom mastermind Alejandro Sabransky delivers another masterpiece. This guy just writes riffs that satisfy my addiction to heavy music. Punishingly heavy – this really is an album you need to lay down, turn off the lights, and let wash over you.

 

4) Frowning – Extinct

frowning - extinct

The sophomore release from German solo Funeral Doom act Frowning was one of the two albums I was most excited to hear this year. I’ll tell you something, Val doesn’t disappoint. This is pure Funeral Doom that doesn’t sacrifice the residual aggression and heaviness of Death Doom. I really can’t say enough good about this album, or this artist. This is what Funeral Doom is supposed to sound like.

 

3) Temple of Void – Lords of Death

Temple of Void - Lords of Death

This was the third album that caught me completely off guard and blew me out of the water this year. Dark, crushing riffs – if a “holy shit” level of heavy is what you’re looking for then look no further.

 

2) Dying Fetus – Wrong One to Fuck With

DF - Wrong one

This is another album that got a lot of beaming reviews, but failed to make most people’s end of year lists. Odd, considering the hype leading up to the album – and how well the band delivered.

1) Unleash the Archers – Apex

UTA - Apex

Favorite album of the year hands down. Hands fucking down. There’s literally nothing I can say about this album that hasn’t already been said. The musicianship is solid, and they’ve managed to capture that “American Metal” production delivering a crystal clear sonic assault directly to your ears. Brittney Slayes vocal chords are simply amazing, I’m a rather big fan of the layered harmonies on a lot of the songs. Even the concept of the album (yes, I’m a sucker for concept albums) is fucking awesome – a stone giant sleeping in a mountain is summoned by an evil sorceress to gather her sons from around the world so she can sacrifice them and gain immortality – told from the viewpoint of the stone giant. Catchy and fun while undeniably heavy and metallic, this is an album you shouldn’t miss.

Honorable Mentions:

Alestorm – No Grave but the Sea, Pallbearer – Heartless, Septicflesh – Codex Omega, Obituary – Self Titled, Myrkur – Mareridt, Electric Wizard – Wizard Bloody Wizard, Skyclad – Forward into the Past, Decapitated – Anticult, Suffocation – …of the Dark Light, Code Orange – Forever, Æther Realm – Tarot

The Year of OSDM

As predicted last year, metal moved forward from a year of thrash to a year of old-school death metal. It’s not some ground breaking revelation, that’s the order extreme metal evolved in organically.

Once you accept the fact that everything is cyclical, it makes perfect sense that the next phase of metal releases would include the original death metal pioneers.

I’d say releases by Cannibal Corpse, Morbid Angel, Obituary, Decapitated, Six Feet Under, Suffocation, and Autopsy certainly support my ongoing theory that extreme metal movements will mirror the original evolution of the sub-genres.

At this point I would like to predict a major swath of Black Metal releases next year. Dark Fortress, Isahn, Immortal, Shining, Watain, Dimmu Borgir, and Nachmystium all have material in the studio and are all expected to release albums next year – so we’ll see.

Other cool shit

There’s a new fucking Demons and Wizards album coming out next year. New Eluveitie as well.

Be excited.

Be very excited.

I don’t think there was a single bad Funeral Doom release this year. Obviously, the big story here was Bell Witch’s new album – I think there was better FD released this year, but I gotta hand it to these guys – Mirror Reaper was an excellent fucking album.

 

The Mediocre

There were bands that, by all rights, should have released some groundbreaking fucking material that just decided to coast this year.

Arch Enemy released “War Eternal Part II”, but decided to call it “Will to Power”. For fucks sake, they’ve got Jeff Loomis and this is the best thing they could come up with? Oh, and that thing when Amott said there’d never be clean vocals on an Arch Enemy album? Yeah, that’s gone. Goddamn it. I love every fucking member of this band, which is why I’m probably a little over critical, I just hate to see a super group of this magnitude cashing out so soon.

Empire of Sand by Mastodon was another one that really bugged me. “Show Yourself” was utter garbage.

Also disappointingly mediocre – TBDM, Dragonforce, GWAR, and Trivium.

 

The Bad, the Really Bad, and the Ugly

Shit went down when #rapegate hit heavy metal. Decapitated, Suicide Silence, Inanimate Existence, Twiggy (Marilyn Manson’s guitarist), Anthrax’s old guitarist Dan Spitz, Shining. I’m sure there was more. Oh yeah, Gene Simmons – that one caught me totally off guard.

Deaths:

  • 1/28 – Geoff Nicholls (Black Sabbath)
  • 2/13 – Trish Doan (Kittie)
  • 4/5 – Paul O’Neill (Trans-Siberian Orchestra)
  • 5/17 – Chris Cornell (Soundgarden)
  • 7/14 – David Zablidowsky (Trans-Siberian Orchestra)
  • 7/20 – Chester Bennington (Linkin Logs Park)
  • 9/22 – Eric Eycke (Corrosion of Conformity)
  • 10/21 – Martin Eric Ain (Celtic Frost)
  • 10/22 – Daisy Berkowitz (Marilyn Manson)
  • 11/1 – Scott Wily (Vital Remains)
  • 11/7 – Whitey Glan (Alice Cooper)
  • 11/9 – Chuck Mosley (Faith No More)
  • 12/13 – Warrel fucking Dane (Sanctuary, Nevermore)

 

Black Sabbath disbanded too.

So yeah, there’s all of that. I probably missed something.

Weird fucking year.

 

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Metal Stuff’s 2016 Review: The Year in Metal

2015-2016 has been an unprecidentedly good time for metal. We’re in the middle of a “metal bubble”, the market is saturated with excellent material. Not sure how long it’ll last, but (seeing as there isn’t anything really incredible slated to release in December) I thought it would be a good time to sum up Metal Stuff’s best releases and biggest dissapointments in metal: 2016 Edition.

Metal Stuff’s “Top  15” Best Releases of 2016

15) Vivaldi Metal Project – The Four Seasons

vivaldi

This one hit me out of nowhere. I saw something about the release of the album on facebook, checked it out, and BAM. Blown away. Probably one of the most pleasant surprises I’ve experienced this year.

It’s an all-star lineup of metal musicians in a modern (and metallic) interpretation of Antonio Vivaldi’s masterpiece “The Four Seasons”. And by All-Star I mean they have members of Symphony X, Testament, Unleash the Archers, The Scorpions, Helloween, Within Temptation, Stratovarious, Savatage, Trans-Siberian Orchestra, Soilwork, and a whole fuckload more.

I really can’t say enough good things about these guys, this is a piece I would reccomend to metalheads, fans of classical music, and just about evreyone inbetween.

14) Scorched – Echoes of Dismemberment

scorched

I first heard this album through my side gig doing reviews for Hard Attack Magazine.  No bells, no whistles, no frills. Just excellent (old school style) death metal with horror b-movie samples. If you’re into old school death metal – be sure to pick up a copy.

13) Rob Zombie – The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser

zombie-electric-warlock

Have to admit, I was pretty eagerly anticipating this album. I participated in the crowdfunding effot they put forth to make the album happen, I went and saw them live twice in the year leading up to it’s release. And I wasn’t dissapointed one bit.

This is easily his best work since “Hellbilly Delux”, and while he hasn’t completly strayed from the hard rock sound, the band certainly went in a more metallic direction. This is the first album the band’s put out in years that I can listen to from start to finish without skipping a single track. If you’re a Zombie fan, you won’t be dissapointed.

12) Blasphemer – Ritual Theophagy

blasphemer

Kick ass album, read my full review here. Brutal Italian tech death that doesn’t sacrifice on the low end (or become riff-salad). Very highly recommended, this album melts faces.

 

11) Insomnium – Winter’s Gate

insomnium_wintersgate

Sooooooo fucking good. Adding layers of atmosphere to melodic death metal seems like a pretty big risk, but these guys took it and the result was (in this author’s humble opinion) a huge fucking success. I would go so far as to say this is the Melo-Death version of the album Opeth should have released. I’ve always liked the band, but they were never really at the forefront of my musical collection. This album changed that a bit, I’ll be keeping an eye on these guys now for sure.

Proggy and ambient, while still managing to retain the soul of melodic death metal – I highly recommend this album to anyone who will listen. And a few people who won’t.

10) The Devin Townsend Project – Transcendence

devin_townsend_project_-_transcendence

I’ve been a fan of Devin Townsend’s work for over a decade now, but I had never given this side-project of his a listen before this year. And I’m glad I finally did, the man’s a fucking genius. His mix of electronic/ambient music and metal is flawless. Transcendence is a fucking masterpiece from start to finish.

9) Anciients – Voice of the Void

anciients-voice

This album was another pleasant surprise for me in 2016. They ran an (apparently) successful Facebook advertising campaign for months before the album released – so when it dropped that whole “name brand recognition” thing they talk about in advertising took effect. I checked them out just to see, and boy am I glad I did.

Excellent prog metal that ranges from melancholy to borderline brutal, with cleans and screams for days. I’ll be adding this album to my vinyl collection shortly after the holiday season ends (when I actually have money again).

These guys fucking rule.

8) Meshuggah – The Violent Sleep of Reason

meshuggah-the-violent-sleep-of-reason

This one was no surprise, I’ve been listening to these guys for about 2 decades now (since Destroy, Erase, Improve was released in 1995).

I have to admit, I was nervous about this one. I’m not a huge fan of Koloss or Catch 33, and I thought there was a good chance they’d continue in the “artsy” direction of concept albums and slow songs. Boy was I wrong, this is a return to Chaosphere-level heaviness.

I think some of their marketing strategies were a little campy (a delux edition of the album that includes a vinyl mask?), but as far as I’m concerned this album was pure fucking gold.

7) Saor – Guardians

saor-guardians

Admittedly, I have some very strong (and sometimes conflicting) opinions when it comes to the style of black metal known as “post black metal”. I’m hesitant to embrace “post” anything, and (at least in the US) the post-black metal scene is nothing but a bunch of whiny hipsters aping black metal music to seem edgy, when in reality all they’re doing is playing shitty alt-rock with a few black metal elements thrown in.

Saor, to me, embodies the exact opposite of this. It’s a solo project hailing from Scotland, and let me tell you this guy is a fucking artist. He’s the real deal, and a wicked cool guy to boot. He nails the black metal aesthetic and combines it with traditional celtic instruments to create soundscapes that are melancholy and ambient, without sacrificing some of the pure fucking rage at the heart of real black metal.

This guy is pretty much single-handedly responsible for making me redefine what I consider “heavy music”. Nothing but good things to say about this band, and this album simply cements him as a consistently solid and groundbreaking artist.

6) Wormed – Krighsu

wormed-krighsu

This album will rip you a new asshole. Then it will rip your new asshole a new asshole. I think you can see where I’m going with this. By the end of the album you’ll be shitting yourself out of your asshole’s asshole’s asshole.

This album doesn’t let up for a goddamn second. Full on brutal tech-death. Who the fuck knew Spain could produce (basically) the perfect death metal band? Holy fuckshit. I want to buy two copies of this album – one to listen to and the other to leave unopened for posterity. I’ll be telling my fucking grandchildren about how brutal these guys are.

So fucking good.

5) Infant Annihilator – The Elysian Grandeval Galèriarch

ia-cover

Yo dawg, I heard you like blastbeats. So we put blastbeats on your blastbeats.

In all seriousness, no human on earth has any business playing as fast as the drummer does. This British teen duo actually makes deathcore tolerable. Scratch that, enjoyable. Not quite as good as their first album, but still one of the best albums this year.

4) Fallujah – Dreamless

fallujah-dreamless

Not going to front like I’m some O.G. who’s been listening to them since “Harvest Wombs” – I came across this band by chance right after their previous album, “The Flesh Prevails”, was released. I was just surfing YouTube and liked the album artwork (Totally a valid way of finding new music, it’s scary how good YouTube has become in recommending things you might like). I didn’t listen to anything else for a week, and turned a few of my coworkers on to the band.

When I heard they were releasing a new album I was super fucking stoked, and I wasn’t dissapointed. Every track is pure fire, and I still listen to this album at least once a week. I love the fact that they retained the ambient/brutal sound while making sure that each album has it’s own unique sound, atmosphere, and identity. Easily one of my favorite bands period.

3) Sabaton – The Last Stand

sabaton_the_last_stand

I’ve been a fan of this band since I was street teaming for Nuclear Blast pre-2006, and I have to admit I find it pleasantly odd/surprising that a band I’ve listened to for years is becoming as popular as they are. Sabaton is easily the fastest rising band in metal, and they deserve it. These guys are relentless road dogs, with a solid live show. The fact that you learn more about history from a Sabaton show than you do in an entire year of public school in America is just the icing on the cake.

Plus, they wrote a song about the Scottish battle of Bannockburn (that pays tribute to William Wallace and Robert the Bruce) – what’s not to love?

2) Dark Funeral – Where Shadows Forever Reign

dark-funeral-album

These guys are hands down my favorite black metal band. Every album they release is consistent while remaining stylistically fresh and distinct. “Where Shadows Forever Reign” is, in my opinion, their best material to date – and they’re gaining a lot of well deserved international attention because of it. This includes their fair share of controversy – earlier this year they garnered a lot of attention due to members of a local Romanian government announcing they would allow a church-based political group to vet which bands would be allowed to play in the area (in direct violation of the Romanian constitution). This was a direct response to Dark Funeral’s show at Bucovina Rock Castle.

I don’t think a lot of people realize that bands like Dark Funeral and Behemoth are bastions of free speech in that part of Europe, as many Eastern European countries are firmly in the grip of a very conservative church (the Russian Orthodox Church, especially, seems to be radically motivated against heavy metal music).

Even without all the controversy – this is a solid fucking album that I listen to with some regularity. Lord Ahriman is a fucking musical genius.

1) Testament – Brotherhood of the Snake

testament-brotherhood-of-the-snake

Easily the best album release this year. Probably the one I anticipated the most, my full review of the album can be found here. Heavy metal isn’t a contest, but if it was Testament would be winning. I’ll just sum my thoughts on this album up from the first paragraph of my review;

“The “Thrash Revival” has been in full effect since 2015 – it seems like every major player from the Bay Area Thrash scene is back in the studio pumping out the jams. Testament stands out among these giants – delivering, hands down, the best Thrash release of 2016. In fact, I think ‘Brotherhood of the Snake’ deserves a nomination for the best metal album of 2016, period. Considering how good ‘Dark Roots of the Earth’ was, I had high hopes for Testament’s new album. Brotherhood of the Snake not only met my expectations – it exceeded them (and then some)!”

 

Honorable Mentions

  • Abbath – Abbath (huge fan of the guy, not as good as his work in Immortal)
  • Megadeth – Dystopia (This album made me a fan of Megadeth)
  • Fleshgod Apocalypse – King (Criminally underrated band, excellent release)
  • Rotting Christ – Rituals (Not their best work, but really quite good)
  • Killswitch Engage – Incarnate (Second album with Jesse Leach back on vocals, fantastic album!)
  • Otep – Generation Doom (has a few good songs, but has some stiff competition this year for best album)
  • Aborted – Retrogore (these guys never put out a bad album)
  • Hatebreed – Concrete Confessional (If you’ve heard one Hatebreed album you’ve heard all of them – good but not great)
  • Dead by Wednesday – The Darkest of Angels (Love these guys – from the same scene as Shadows Fall)
  • Death Angel – The Evil Divide (excellent and diverse Thrash album)
  • Nails – You Will Never Be One Of Us (Quite the pleasant surprise this year)
  • Be’lakor – Vessels (Good melodeath, if a little bit stereotypical of the genre)
  • Brain Drill – Boundless Obscenity (Jesus Christ, so good)
  • Despised Icon – Beast (Triumphant return of a deathcore band that doesn’t suck)
  • Running Wild – Rapid Foray (These guys are legend)
  • Sodom – Decision Day (German Thrash, awesome album)
  • Vader – The Empire (Pure gold)
  • Starkill – Shadow Sleep (I helped crowdfund the album, was not disappointed one bit)
  • In Flames – Battles (Had a few good songs, better than their last album)
  • Metallica – Hardwired to Self Destruct (They set the bar so low for the past 30 years that even a sub-par thrash album is praise worthy)
  • Avantasia – Ghostlights (just good fun!)
  • Anthrax – For all Kings (hooray for thrash revival!)
  • Entombed A.D. – Dead Dawn (death’n’roll done right)
  • Lacuna Coil – Delirium (Surprisingly good)
  • Gojira – Magma (Good, but not my favorite)
  • Amon Amarth – Jomsviking (Awesome album, but not quite good enough to make my top 15)

 

Metal Stuff’s Biggest Disappointments in Metal, 2016 edition

Devildriver – Trust No One

devildriver-trust-no-one

Considering the lineup changes DevilDriver went through in 2015, I tried to give this album a little wiggle room when criticizing it. 2 guitarists, no bassist, half the band is green. They didn’t really have time to get together and synchronize as a band – this album sound to me like a record company rushed them to meet a deadline. It’s not bad, but to call it anything other than a disappointment would be disingenuous. I hold DevilDriver to a pretty high standard – Dez is a goddamn genius as far as metal is concerned. I hope their next album will be a little better.

Robb Flynn

robbflynn

This fucking guy. Don’t get me wrong, I love Machine Head – and their album from last year (Bloodstone and Diamonds) was fucking excellent. I just can’t take Robb Flynn seriously. He’s a fucking attention whore who tries to stay socially relevant and apes Corey Taylor to do so. He’s an mildly successful social chameleon at best, and an overreacting turncoat bitch at the worst. His treatment of Phil Anselmo in the media was fucking horrid.

Avatar – Feathers and Flesh

avatar_feathersflesh_cover

Maybe I was hoping for “Hail the Apocalypse Part II”, but this album fell flat for me. Which sucks, because they’re a very cool band who’s been underrated for the majority of their career. This album just didn’t clique for me, there wasn’t one song I can honestly say I enjoyed – just a massive disappointment.

Solution .45 – Nightmares in the Waking State II

solution-45-nightmares-2

I can’t quite put my finger on it, but this album just didn’t feel right to me. Like, maybe it was a bit too rushed or under-produced. Which sucks, because Christian Älvestam is my favorite metal vocalist – the guy’s easily the hardest working man in metal and super talented. From Scar Symmetry to Svavelvinter, Torchbearer, Miseration, Quest of Aidence, and all the fucking songs he’s lent vocals to – this guy is the fucking man. He shits excellence, except this album. I feel like he should have spent a little longer perfecting the songs, and not rushing to release a double album.

Whitechapel – Mark of the Blade

whitechapel

It’s sad to see a halfway decent band on the downswing of their career. They tried to stay relevant by releasing a song bashing “metal elitists”, and ironically that’s what seems to have tanked their career. Maybe the elitist ones were correct.

Chelsea Grin – Self Inflicted

chelseagrin

Bands like this are the reason I despise Deathcore. They have one tolerable album, and if I’m completely honest it’s only 50% tolerable (the first half).

Steel Panther

I’d rather let this speak for itself.

Sumerian Records

From every single band on their roster, to the act of completely selling out the image of the Summer Slaughter tour to sell a movie starring the lead singer of the Blackveil Brides, the continued existence of Sumerian Records bothers me. Apparently, in the metal scene money = credibility in some circles. Puke.

Hipsters and Social Justice Warriors

I don’t make it a secret that I fucking hate hipsters. They seem to have the innate ability to ruin anything. I can’t wait till hipster metal is no longer a thing.

Opeth – Sorceress

opeth_sorceress_promocover_revised

I respect when an artist or band wants to branch out, but it doesn’t mean I have to like it. Opeth has earned the right to do whatever the fuck they want, but that won’t stop me from getting my hopes up (and consequently having them dashed on a rock to the point of near death) every single time they get ready to release a new album. The band even signed to Nuclear Blast and were allegedly down-tuning for the record. I was so hyped. I heard the first single, “Sorceress” – SO EXCITED! Then the album dropped, and what transpired afterwards can only be referred to as one of my biggest disappointments of 2016. Fucking artsy prog from a band that had (at it’s peak) some of the best fucking death metal vocals ever.

The Dio Hologram

dio-hologram

Christ, stop capitalizing on the metal god. For fucks sake, he’s dead. Let him rest. It sounds cool, but I really dislike the idea.

As opposed to the Lemmy hologram at the Rainbow that randomly offers you cocaine and compliments your appearance when you walk by. That’s probably the most fitting tribute ever.

So, that’s about it for 2016 in metal.

What a Trump Victory Would Mean for Heavy Metal

In the interest of full disclosure, I’m a lifelong liberal. Not just a little bit liberal – very liberal. Like, tree-hugging socialist progressive grass-roots liberal. And I’m not making an argument for or against any presidential candidate. At this point, they all fucking suck.

The one and only point of this post is to illustrate trends in American heavy metal, and their relation to the US political climate. I will also illustrate that the same pattern holds true in Great Britain. Between the two countries, there’s been (for lack of a better word) a stranglehold on major movements in heavy metal history. And any other major movements or players in the global metal scene are subject to the same (or a very similar) pattern.

An important note here – I’m not implying causation. I’m implying correlation. Major trends in American extreme/underground metal have ALWAYS happened during conservative republican presidential terms. Likewise (with the exception of hair metal) all major “mainstream” trends in American heavy metal have happened during liberal (to moderate) democratic presidential terms.

I’m actually not the first person to notice this. I had been thinking about how there had been nothing but regurgitated crap (as far as new metal bands are concerned) coming out of the United States lately. Then it hit me, and I immediately did a google search to make sure nobody had already written an article on the subject. Lo and behold, some anonymous writer for a conservative website had noticed the same trend.

Established bands are another thing altogether, they’re not going to create a second wave of Thrash or Death metal with the same impact as the original. We’re in the middle of a “metal-bubble” right now (the market is absolutely saturated with good metal from established acts), and within the next few years it’s going to burst no matter what – but that’s another story for another day.

American Metal

In the United States, there really wasn’t much to speak of as far as original, ground breaking heavy metal besides a couple of bandwagon bands until the rise of thrash. From about 1970-1981 Americans might have consumed a good deal of metal, but most of the major artists were Brits. Sabbath, Motorhead, Deep Purple – Brits. Judas Priest? English. Iron Maiden? You get the idea.

Then something happened. Ronald Reagan won the Presidency of the United States, and ushered in a conservative era that lasted over a decade. Reagan was sworn into office in January of 1981. In that same year Anthrax, Dark Angel (not to be confused with Death Angel), Metallica, Pantera, and Slayer were formed. The following years saw Death Angel, Death, Megadeth, Testament, Atheist, GWAR, Morbid Angel, Nuclear Assault, Obituary, etc. Literally within a 3-4 year period you’ve got the seeds for two major movements/splits in heavy metal, not to mention about 2/3 of the base of what we now refer to as extreme metal. And it wasn’t just metal – VICE magazine just released an article discussing why Reagan was the best thing to happen to punk music.

I’m not sure if I can stress how big of a deal this is.The seeds for America’s permanent stamp on heavy metal history were planted and germinated during a very conservative time in the American political climate. During Reagan’s first term, the bands known as “the big four” all formed, and by the end of the second term Thrash had taken the world by storm. Metallica became the most successful metal band in the world, and Death metal was blossoming.

By the beginning of George Bush’s (senior) term in 1989, Death Metal had already overtaken Thrash. Obituary, Cannibal Corpse, Death, Deicide, Morbid Angel – Death metal was on the rise until it peaked out and stagnated around 1992-1993. Bill Clinton (Democrat) took office in January of 1993.

From 1993-2000, there were also major movements in metal that contributed to the culture as a whole metal pretty much sucked. And the overall political atmosphere of the United States was predominantly liberal/democrat. Remember Grunge? Clinton era. Nu Metal? Clinton. Slayer’s attempt at nu-metal? Clinton era. Metallica cuts their hair, goes “alt-rock”, and takes photos tongue kissing each other? Clinton era. Limp Bizkit and Linkin Park? Thanks a lot, Democrats.

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Enter 2000, a democrat wins but is rick-rolled out of office by a republican. Suddenly, there’s a resurgence in metal. A lot of players in what is commonly referred to as the “New Wave of American Metal” start picking up and getting more attention and rotation. Killswitch Engage, Lamb of God, Shadows Fall, and Chimaira all released albums – essentially a mutated Thrash renaissance. Also of note, Devourment started getting big. Slam was born, and real brutal death metal started taking off. Tech Death flourished. Ozzfest, admittedly around since the Clinton era, took off and saw it’s highest attendance ever.

2008, Obama wins. Ozzfest stops touring the US. Metalcore devolved into a bad caricature of itself, and Deathcore (a death metal influenced offshoot of metalcore) came to prominence. Blackgaze took off. You get the idea.

I’m not here to debate whether metalcore/deathcore/blackgaze are good or bad, I’m talking about global musical impact. There are Thrash bands, Death Metal bands, and Black metal bands all over the planet. Beyond the United States and Great Britain, there aren’t very many deathcore or metalcore bands. Deathcore has gotten to the point where quintessential founding bands of the genre like The Acacia Strain refuse to be associated with the term any more. And it seems like, while the rest of the world might not mind listening to these bands – by and large they don’t replicate these styles.

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Global Confirmation of the Trend

Black Sabbath released their debut album under a conservative Prime Minister (in fact, he was from a political party literally called “the conservative party”). The NWOBHM occurred during the reign of the Conservative Party in Britain (in fact, the party held sway for 57% of the 20th century in Britain). Grindcore as a genre germinated almost exclusively under conservative control.

In the early 90’s, Black Metal came to the attention of the entire world through a scene that formed, in large part, as a cultural response to the incredible grip conservatives had on the country.

Sepultura? Rose on the tail end of an authoritarian conservative regime in Brazil. Behemoth? Yeah, Poland is still wicked conservative.

And this isn’t to say that there isn’t good metal made by bands during liberal regimes. It’s saying I haven’t seen a legitimate artistic movement within American heavy metal that’s permanently changed the face of metal during a liberal regime. There are probably always going to be dark-horse bands like Pantera that carry the flag for decent metal – I’m just saying as of right now they seem to be the exception, not the rule.

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(Clinton fans, don’t get your panties in a bunch. Hillary Clinton is still more conservative than any honest democrat should be comfortable with. I’m sure there will be plenty of angry music made if she’s elected. I’m just saying it’ll be shitty mainstream stuff that’s overtly politically correct)

Conclusion

If Trump wins, America’s going to start pumping out the fucking jams. The “Metal Bubble” we’re currently experiencing will probably pop immediately following his presidential term (4-8 years, depending on how generous you are. Remember, we as a country elected George W. Bush after he stole the election the first time, so don’t give American voters too much credit). We might even finally get another “real” movement in extreme metal.

If Hillary Clinton wins, subsequent movements in heavy metal will all be mainstream in nature, and the trend of whiny millennial hipsters taking over the American metal scene will continue. Metal concerts will continue to be referred to as people’s “safe spaces”, and former leaders in the metal scene like Phil Anselmo will continue to be demonized. Metal will continue down the track it’s on, and become a bad parody of itself.

  • If you’re voting for Trump (and listen to metal), this is probably another vindication of your choice to vote for him. Good for you.
  • If you’re voting for Clinton (and listen to metal), consider it a silver lining for if she loses. As of right now, it’s not looking great.

Whoever wins, we’re all fucked. We’re literally watching the crumbling decay of an empire. It’s unavoidable at this point. I just want there to be a decent soundtrack.

 

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