HOLY FUCK LOST IN VEGAS READ MY BLOG, AND TWEETED A LINK TO IT!
Ok, I’m good.
Seriously though, I’ve been a fan since they reacted to Megadeth’s “Holy Wars”
Their excitement is infectious, you can see they “get it” right away.
I’m pretty sure every metalhead, to some degree or another, gets a thrill seeing someone who isn’t a fan of the genre experience that level of excitement (as of today that video has over 1 million views).
They’re more of a phenomenon than just a channel, and their incredible popularity in the metal community has spawned some copy-cats in the metal industry (like this entire new segment called “metal reacts only” from Metalsucks) and elsewhere trying to soak up a bit of the limelight. I think there’s even a youtube channel with 2 metalhead dudes reacting to non-metal videos.
Often imitated, never duplicated.
I’ll probably never get a chance like this again, so I’d like to take a second to recommend a few songs I think Ryan and George might like. Trying to go by genre here, maybe make a poll?
Thrash:Testament – “The Pale King” (fan favorites aren’t always the best example of what an artist is capable of, their new album has the production quality you guys seem to prefer) v.s. Metal Church – “Needle and Suture”
Power Metal: Unleash the Archers – “Tonight We Ride” or “Awakening” v.s. Blind Guardian – Voice in the Dark”
Melodic Death Metal:Soilwork – “Stabbing the Drama” v.s. In Flames – “Trigger” v.s. Solution .45 – “Gravitational Lensing”
Black Metal:Immortal – “Sons of Northern Darkness” v.s. Cradle of Filth – “Nymphetamine” (If you guys like getting shit from so called elitists, simply mention Cradle of Filth)
Folk Metal:Eluveitie – “Call of the Mountains” or “Inis Mona” v.s. Cellar Darling – “Avalanche”
Make sure you check out more of their reaction videos here, and if you like what you see subscribe to their channel (and their twitter). They’re already over 300,000, and react to videos largely based on viewer recommendations.
I think the metal community got spoiled after last year’s “metal bubble” and the Thrash revival. Compared to the incredible amount of good music that got dumped on us anything is going to seem lackluster, but 2017 was a good fucking year for heavy music (once you accept that 2016 was a happy fluke).
I actually didn’t like this album the first time I listened to it. Glad I gave it another chance – guess it’s more of a grower than a shower. Not necessarily a bad thing, albums like that tend to stand the test of time.
Holy fuck. This solo Funeral Doom project from Denmark never disappoints. His last album (Galgenfrist) was released 10 years ago, and the decade long wait for the new album was more than worth it. Dark, gloomy, cold, and most importantly heavy as fuck.
A lot of people didn’t like the clean vocals on the album. I’ll admit, Jason isn’t getting any younger – and time has taken a bit of a toll on his vocal chords. But as a whole, that doesn’t really take away from the album for me. The band is as sharp as they’ve ever been, and while the cleans in some sections seem a bit strained, I almost wonder if that’s intentional – because if you listen to other tracks (like the one below), the cleans are pretty fucking good. I dunno, judge for yourself.
I couldn’t choose, both bands released some quality material this year (in both cases, also significantly better than the previous release). Straightforward, in your face death metal with no bells or whistles.
Right on the tail end of the Thrash resurgence, Kreator dropped an excellentalbum that (like most albums released in the first half of the year) seems to have been left out of people’s top albums of the year. Why/How is beyond me, this album is quintessential thrash.
Probably the Funeral Doom release that received the most hype this year (for good fucking reason), the album has lived up to and surpassed any expectations I had. Mirror Reaper seemed to dance on that “invisible line” in the doom metal spectrum between Funeral Doom and Drone (not a bad thing)
Argentinian Funeral Doom mastermind Alejandro Sabransky delivers another masterpiece. This guy just writes riffs that satisfy my addiction to heavy music. Punishingly heavy – this really is an album you need to lay down, turn off the lights, and let wash over you.
The sophomore release from German solo Funeral Doom act Frowning was one of the two albums I was most excited to hear this year. I’ll tell you something, Val doesn’t disappoint. This is pure Funeral Doom that doesn’t sacrifice the residual aggression and heaviness of Death Doom. I really can’t say enough good about this album, or this artist. This is what Funeral Doom is supposed to sound like.
This was the third album that caught me completely off guard and blew me out of the water this year. Dark, crushing riffs – if a “holy shit” level of heavy is what you’re looking for then look no further.
Favorite album of the year hands down. Hands fucking down. There’s literally nothing I can say about this album that hasn’t already been said. The musicianship is solid, and they’ve managed to capture that “American Metal” production delivering a crystal clear sonic assault directly to your ears. Brittney Slayes vocal chords are simply amazing, I’m a rather big fan of the layered harmonies on a lot of the songs. Even the concept of the album (yes, I’m a sucker for concept albums) is fucking awesome – a stone giant sleeping in a mountain is summoned by an evil sorceress to gather her sons from around the world so she can sacrifice them and gain immortality – told from the viewpoint of the stone giant. Catchy and fun while undeniably heavy and metallic, this is an album you shouldn’t miss.
Alestorm – No Grave but the Sea, Pallbearer – Heartless, Septicflesh – Codex Omega, Obituary – Self Titled, Myrkur – Mareridt, Electric Wizard – Wizard Bloody Wizard, Skyclad – Forward into the Past, Decapitated – Anticult, Suffocation – …of the Dark Light, Code Orange – Forever, Æther Realm – Tarot
The Year of OSDM
As predicted last year, metal moved forward from a year of thrash to a year of old-school death metal. It’s not some ground breaking revelation, that’s the order extreme metal evolved in organically.
Once you accept the fact that everything is cyclical, it makes perfect sense that the next phase of metal releases would include the original death metal pioneers.
I’d say releases by Cannibal Corpse, Morbid Angel, Obituary, Decapitated, Six Feet Under, Suffocation, and Autopsy certainly support my ongoing theory that extreme metal movements will mirror the original evolution of the sub-genres.
At this point I would like to predict a major swath of Black Metal releases next year. Dark Fortress, Isahn, Immortal, Shining, Watain, Dimmu Borgir, and Nachmystium all have material in the studio and are all expected to release albums next year – so we’ll see.
Other cool shit
There’s a new fucking Demons and Wizards album coming out next year. New Eluveitie as well.
Be very excited.
I don’t think there was a single bad Funeral Doom release this year. Obviously, the big story here was Bell Witch’s new album – I think there was better FD released this year, but I gotta hand it to these guys – Mirror Reaper was an excellent fucking album.
There were bands that, by all rights, should have released some groundbreaking fucking material that just decided to coast this year.
Arch Enemy released “War Eternal Part II”, but decided to call it “Will to Power”. For fucks sake, they’ve got Jeff Loomis and this is the best thing they could come up with? Oh, and that thing when Amott said there’d never be clean vocals on an Arch Enemy album? Yeah, that’s gone. Goddamn it. I love every fucking member of this band, which is why I’m probably a little over critical, I just hate to see a super group of this magnitude cashing out so soon.
Empire of Sand by Mastodon was another one that really bugged me. “Show Yourself” was utter garbage.
Also disappointingly mediocre – TBDM, Dragonforce, GWAR, and Trivium.