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Metal Stuff’s 2016 Review: The Year in Metal

2015-2016 has been an unprecidentedly good time for metal. We’re in the middle of a “metal bubble”, the market is saturated with excellent material. Not sure how long it’ll last, but (seeing as there isn’t anything really incredible slated to release in December) I thought it would be a good time to sum up Metal Stuff’s best releases and biggest dissapointments in metal: 2016 Edition.

Metal Stuff’s “Top  15” Best Releases of 2016

15) Vivaldi Metal Project – The Four Seasons

vivaldi

This one hit me out of nowhere. I saw something about the release of the album on facebook, checked it out, and BAM. Blown away. Probably one of the most pleasant surprises I’ve experienced this year.

It’s an all-star lineup of metal musicians in a modern (and metallic) interpretation of Antonio Vivaldi’s masterpiece “The Four Seasons”. And by All-Star I mean they have members of Symphony X, Testament, Unleash the Archers, The Scorpions, Helloween, Within Temptation, Stratovarious, Savatage, Trans-Siberian Orchestra, Soilwork, and a whole fuckload more.

I really can’t say enough good things about these guys, this is a piece I would reccomend to metalheads, fans of classical music, and just about evreyone inbetween.

14) Scorched – Echoes of Dismemberment

scorched

I first heard this album through my side gig doing reviews for Hard Attack Magazine.  No bells, no whistles, no frills. Just excellent (old school style) death metal with horror b-movie samples. If you’re into old school death metal – be sure to pick up a copy.

13) Rob Zombie – The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser

zombie-electric-warlock

Have to admit, I was pretty eagerly anticipating this album. I participated in the crowdfunding effot they put forth to make the album happen, I went and saw them live twice in the year leading up to it’s release. And I wasn’t dissapointed one bit.

This is easily his best work since “Hellbilly Delux”, and while he hasn’t completly strayed from the hard rock sound, the band certainly went in a more metallic direction. This is the first album the band’s put out in years that I can listen to from start to finish without skipping a single track. If you’re a Zombie fan, you won’t be dissapointed.

12) Blasphemer – Ritual Theophagy

blasphemer

Kick ass album, read my full review here. Brutal Italian tech death that doesn’t sacrifice on the low end (or become riff-salad). Very highly recommended, this album melts faces.

 

11) Insomnium – Winter’s Gate

insomnium_wintersgate

Sooooooo fucking good. Adding layers of atmosphere to melodic death metal seems like a pretty big risk, but these guys took it and the result was (in this author’s humble opinion) a huge fucking success. I would go so far as to say this is the Melo-Death version of the album Opeth should have released. I’ve always liked the band, but they were never really at the forefront of my musical collection. This album changed that a bit, I’ll be keeping an eye on these guys now for sure.

Proggy and ambient, while still managing to retain the soul of melodic death metal – I highly recommend this album to anyone who will listen. And a few people who won’t.

10) The Devin Townsend Project – Transcendence

devin_townsend_project_-_transcendence

I’ve been a fan of Devin Townsend’s work for over a decade now, but I had never given this side-project of his a listen before this year. And I’m glad I finally did, the man’s a fucking genius. His mix of electronic/ambient music and metal is flawless. Transcendence is a fucking masterpiece from start to finish.

9) Anciients – Voice of the Void

anciients-voice

This album was another pleasant surprise for me in 2016. They ran an (apparently) successful Facebook advertising campaign for months before the album released – so when it dropped that whole “name brand recognition” thing they talk about in advertising took effect. I checked them out just to see, and boy am I glad I did.

Excellent prog metal that ranges from melancholy to borderline brutal, with cleans and screams for days. I’ll be adding this album to my vinyl collection shortly after the holiday season ends (when I actually have money again).

These guys fucking rule.

8) Meshuggah – The Violent Sleep of Reason

meshuggah-the-violent-sleep-of-reason

This one was no surprise, I’ve been listening to these guys for about 2 decades now (since Destroy, Erase, Improve was released in 1995).

I have to admit, I was nervous about this one. I’m not a huge fan of Koloss or Catch 33, and I thought there was a good chance they’d continue in the “artsy” direction of concept albums and slow songs. Boy was I wrong, this is a return to Chaosphere-level heaviness.

I think some of their marketing strategies were a little campy (a delux edition of the album that includes a vinyl mask?), but as far as I’m concerned this album was pure fucking gold.

7) Saor – Guardians

saor-guardians

Admittedly, I have some very strong (and sometimes conflicting) opinions when it comes to the style of black metal known as “post black metal”. I’m hesitant to embrace “post” anything, and (at least in the US) the post-black metal scene is nothing but a bunch of whiny hipsters aping black metal music to seem edgy, when in reality all they’re doing is playing shitty alt-rock with a few black metal elements thrown in.

Saor, to me, embodies the exact opposite of this. It’s a solo project hailing from Scotland, and let me tell you this guy is a fucking artist. He’s the real deal, and a wicked cool guy to boot. He nails the black metal aesthetic and combines it with traditional celtic instruments to create soundscapes that are melancholy and ambient, without sacrificing some of the pure fucking rage at the heart of real black metal.

This guy is pretty much single-handedly responsible for making me redefine what I consider “heavy music”. Nothing but good things to say about this band, and this album simply cements him as a consistently solid and groundbreaking artist.

6) Wormed – Krighsu

wormed-krighsu

This album will rip you a new asshole. Then it will rip your new asshole a new asshole. I think you can see where I’m going with this. By the end of the album you’ll be shitting yourself out of your asshole’s asshole’s asshole.

This album doesn’t let up for a goddamn second. Full on brutal tech-death. Who the fuck knew Spain could produce (basically) the perfect death metal band? Holy fuckshit. I want to buy two copies of this album – one to listen to and the other to leave unopened for posterity. I’ll be telling my fucking grandchildren about how brutal these guys are.

So fucking good.

5) Infant Annihilator – The Elysian Grandeval Galèriarch

ia-cover

Yo dawg, I heard you like blastbeats. So we put blastbeats on your blastbeats.

In all seriousness, no human on earth has any business playing as fast as the drummer does. This British teen duo actually makes deathcore tolerable. Scratch that, enjoyable. Not quite as good as their first album, but still one of the best albums this year.

4) Fallujah – Dreamless

fallujah-dreamless

Not going to front like I’m some O.G. who’s been listening to them since “Harvest Wombs” – I came across this band by chance right after their previous album, “The Flesh Prevails”, was released. I was just surfing YouTube and liked the album artwork (Totally a valid way of finding new music, it’s scary how good YouTube has become in recommending things you might like). I didn’t listen to anything else for a week, and turned a few of my coworkers on to the band.

When I heard they were releasing a new album I was super fucking stoked, and I wasn’t dissapointed. Every track is pure fire, and I still listen to this album at least once a week. I love the fact that they retained the ambient/brutal sound while making sure that each album has it’s own unique sound, atmosphere, and identity. Easily one of my favorite bands period.

3) Sabaton – The Last Stand

sabaton_the_last_stand

I’ve been a fan of this band since I was street teaming for Nuclear Blast pre-2006, and I have to admit I find it pleasantly odd/surprising that a band I’ve listened to for years is becoming as popular as they are. Sabaton is easily the fastest rising band in metal, and they deserve it. These guys are relentless road dogs, with a solid live show. The fact that you learn more about history from a Sabaton show than you do in an entire year of public school in America is just the icing on the cake.

Plus, they wrote a song about the Scottish battle of Bannockburn (that pays tribute to William Wallace and Robert the Bruce) – what’s not to love?

2) Dark Funeral – Where Shadows Forever Reign

dark-funeral-album

These guys are hands down my favorite black metal band. Every album they release is consistent while remaining stylistically fresh and distinct. “Where Shadows Forever Reign” is, in my opinion, their best material to date – and they’re gaining a lot of well deserved international attention because of it. This includes their fair share of controversy – earlier this year they garnered a lot of attention due to members of a local Romanian government announcing they would allow a church-based political group to vet which bands would be allowed to play in the area (in direct violation of the Romanian constitution). This was a direct response to Dark Funeral’s show at Bucovina Rock Castle.

I don’t think a lot of people realize that bands like Dark Funeral and Behemoth are bastions of free speech in that part of Europe, as many Eastern European countries are firmly in the grip of a very conservative church (the Russian Orthodox Church, especially, seems to be radically motivated against heavy metal music).

Even without all the controversy – this is a solid fucking album that I listen to with some regularity. Lord Ahriman is a fucking musical genius.

1) Testament – Brotherhood of the Snake

testament-brotherhood-of-the-snake

Easily the best album release this year. Probably the one I anticipated the most, my full review of the album can be found here. Heavy metal isn’t a contest, but if it was Testament would be winning. I’ll just sum my thoughts on this album up from the first paragraph of my review;

“The “Thrash Revival” has been in full effect since 2015 – it seems like every major player from the Bay Area Thrash scene is back in the studio pumping out the jams. Testament stands out among these giants – delivering, hands down, the best Thrash release of 2016. In fact, I think ‘Brotherhood of the Snake’ deserves a nomination for the best metal album of 2016, period. Considering how good ‘Dark Roots of the Earth’ was, I had high hopes for Testament’s new album. Brotherhood of the Snake not only met my expectations – it exceeded them (and then some)!”

 

Honorable Mentions

  • Abbath – Abbath (huge fan of the guy, not as good as his work in Immortal)
  • Megadeth – Dystopia (This album made me a fan of Megadeth)
  • Fleshgod Apocalypse – King (Criminally underrated band, excellent release)
  • Rotting Christ – Rituals (Not their best work, but really quite good)
  • Killswitch Engage – Incarnate (Second album with Jesse Leach back on vocals, fantastic album!)
  • Otep – Generation Doom (has a few good songs, but has some stiff competition this year for best album)
  • Aborted – Retrogore (these guys never put out a bad album)
  • Hatebreed – Concrete Confessional (If you’ve heard one Hatebreed album you’ve heard all of them – good but not great)
  • Dead by Wednesday – The Darkest of Angels (Love these guys – from the same scene as Shadows Fall)
  • Death Angel – The Evil Divide (excellent and diverse Thrash album)
  • Nails – You Will Never Be One Of Us (Quite the pleasant surprise this year)
  • Be’lakor – Vessels (Good melodeath, if a little bit stereotypical of the genre)
  • Brain Drill – Boundless Obscenity (Jesus Christ, so good)
  • Despised Icon – Beast (Triumphant return of a deathcore band that doesn’t suck)
  • Running Wild – Rapid Foray (These guys are legend)
  • Sodom – Decision Day (German Thrash, awesome album)
  • Vader – The Empire (Pure gold)
  • Starkill – Shadow Sleep (I helped crowdfund the album, was not disappointed one bit)
  • In Flames – Battles (Had a few good songs, better than their last album)
  • Metallica – Hardwired to Self Destruct (They set the bar so low for the past 30 years that even a sub-par thrash album is praise worthy)
  • Avantasia – Ghostlights (just good fun!)
  • Anthrax – For all Kings (hooray for thrash revival!)
  • Entombed A.D. – Dead Dawn (death’n’roll done right)
  • Lacuna Coil – Delirium (Surprisingly good)
  • Gojira – Magma (Good, but not my favorite)
  • Amon Amarth – Jomsviking (Awesome album, but not quite good enough to make my top 15)

 

Metal Stuff’s Biggest Disappointments in Metal, 2016 edition

Devildriver – Trust No One

devildriver-trust-no-one

Considering the lineup changes DevilDriver went through in 2015, I tried to give this album a little wiggle room when criticizing it. 2 guitarists, no bassist, half the band is green. They didn’t really have time to get together and synchronize as a band – this album sound to me like a record company rushed them to meet a deadline. It’s not bad, but to call it anything other than a disappointment would be disingenuous. I hold DevilDriver to a pretty high standard – Dez is a goddamn genius as far as metal is concerned. I hope their next album will be a little better.

Robb Flynn

robbflynn

This fucking guy. Don’t get me wrong, I love Machine Head – and their album from last year (Bloodstone and Diamonds) was fucking excellent. I just can’t take Robb Flynn seriously. He’s a fucking attention whore who tries to stay socially relevant and apes Corey Taylor to do so. He’s an mildly successful social chameleon at best, and an overreacting turncoat bitch at the worst. His treatment of Phil Anselmo in the media was fucking horrid.

Avatar – Feathers and Flesh

avatar_feathersflesh_cover

Maybe I was hoping for “Hail the Apocalypse Part II”, but this album fell flat for me. Which sucks, because they’re a very cool band who’s been underrated for the majority of their career. This album just didn’t clique for me, there wasn’t one song I can honestly say I enjoyed – just a massive disappointment.

Solution .45 – Nightmares in the Waking State II

solution-45-nightmares-2

I can’t quite put my finger on it, but this album just didn’t feel right to me. Like, maybe it was a bit too rushed or under-produced. Which sucks, because Christian Älvestam is my favorite metal vocalist – the guy’s easily the hardest working man in metal and super talented. From Scar Symmetry to Svavelvinter, Torchbearer, Miseration, Quest of Aidence, and all the fucking songs he’s lent vocals to – this guy is the fucking man. He shits excellence, except this album. I feel like he should have spent a little longer perfecting the songs, and not rushing to release a double album.

Whitechapel – Mark of the Blade

whitechapel

It’s sad to see a halfway decent band on the downswing of their career. They tried to stay relevant by releasing a song bashing “metal elitists”, and ironically that’s what seems to have tanked their career. Maybe the elitist ones were correct.

Chelsea Grin – Self Inflicted

chelseagrin

Bands like this are the reason I despise Deathcore. They have one tolerable album, and if I’m completely honest it’s only 50% tolerable (the first half).

Steel Panther

I’d rather let this speak for itself.

Sumerian Records

From every single band on their roster, to the act of completely selling out the image of the Summer Slaughter tour to sell a movie starring the lead singer of the Blackveil Brides, the continued existence of Sumerian Records bothers me. Apparently, in the metal scene money = credibility in some circles. Puke.

Hipsters and Social Justice Warriors

I don’t make it a secret that I fucking hate hipsters. They seem to have the innate ability to ruin anything. I can’t wait till hipster metal is no longer a thing.

Opeth – Sorceress

opeth_sorceress_promocover_revised

I respect when an artist or band wants to branch out, but it doesn’t mean I have to like it. Opeth has earned the right to do whatever the fuck they want, but that won’t stop me from getting my hopes up (and consequently having them dashed on a rock to the point of near death) every single time they get ready to release a new album. The band even signed to Nuclear Blast and were allegedly down-tuning for the record. I was so hyped. I heard the first single, “Sorceress” – SO EXCITED! Then the album dropped, and what transpired afterwards can only be referred to as one of my biggest disappointments of 2016. Fucking artsy prog from a band that had (at it’s peak) some of the best fucking death metal vocals ever.

The Dio Hologram

dio-hologram

Christ, stop capitalizing on the metal god. For fucks sake, he’s dead. Let him rest. It sounds cool, but I really dislike the idea.

As opposed to the Lemmy hologram at the Rainbow that randomly offers you cocaine and compliments your appearance when you walk by. That’s probably the most fitting tribute ever.

So, that’s about it for 2016 in metal.

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Why Metalheads honor the memory of Sophie Lancaster

Introduction

9 years ago this month (August 24th, 2007), a terrible tragedy in England resonated throughout the sub-cultural (and mainstream) communities around the world.

Sophie Lancaster and her boyfriend (Robert Maltby) were targeted by a group of thugs and brutally attacked. There was no provocation – they were chosen because of the way they dressed (as I understand it they were part of the English Goth community).

Although Goths and Metalheads are separate and distinct cultures, there is a good deal of crossover between them (as there is with a lot of sub-cultures). Enough crossover, in fact, that both the young men committing the criminal act and the witness who called the paramedics referred to them (among other things) as “moshers” (a pejorative term to refer to goths, metalheads, and other similar looking subscribers to sub-cultures in England, as I understand it).

And this wasn’t an isolated incident. I’m not saying anything sensationalist here – heavy metal and other subcultures aren’t under constant attack. But when you participate in any subculture/counter culture, it’s good to remember that there’s going to be a broad spectrum of reaction from the mainstream cultures (and other subcultures, for that matter) that’s going to include (but isn’t limited to) physical retaliation and violence.

Given the Dionysian, Hedonistic, Anti-Social (not Asocial, as most people tend to define it) cultural tendencies metalheads, goths, punks, emo kids, scene kids, etc tend to share – it’s not surprising that there is often a negative reaction from a predominantly Apollonian mainstream culture.

So, while I have absolutely no idea whether or not Sophie Lancaster and her boyfriend actually listened to heavy metal or were part of the subculture – it’s a moot point. To someone who comes from a place outside of these cultures – they’re all one and the same. Ben Moores (a teenage metalhead) was attacked in a similar manner to Sophie 5 years later.

An American Perspective to Illustrate a Greater Point

And I have to admit, as an American Metalhead my knowledge is inherently biased towards my own experience and those of my peers. For example – I’m much more familiar with the cultural persecution of metalheads in America from the Satanic Panic of the 1980’s and early 1990’s and the subsequent cultural fallout.

Judas Preist and Ozzy Osbourne were both put on trial after young men who were fans of their music committed suicide. Christian youth behavioral modification camps capitalized on the satanic panic to “de-metalize” or “de-punk” rebellious youth. American police were trained to recognize and discriminate against metalheads. Censorship as a part of a multi-faceted attack on heavy metal that includes religious moral and political concerns from the dominant culture is nothing new. (Sound of the Beast, by Ian Christe, chapter 17)

When the Columbine tragedy occurred, mainstream culture and the media were quick to associate the young men’s association to heavy metal as the culprit.

Three teenage boys (dubbed the West Memphis Three) were scapegoated in a brutal murder case of three young boys on circumstantial evidence and held for 18 years. Even after they were freed (they were obviously innocent – this was the subject of several documentaries) – they had to agree to a plea deal where the state admitted no wrongdoing.

After the brutal rape and murder of Elyse Pahler, her parents (unsuccessfully) sued Slayer twice as the cause of the horrid attack.

In Arizona, when Congresswoman Gabrielle Giffords was shot – the media was quick to point out Jared Loughner’s association with heavy metal music through his love of a single Drowning Pool song.

And, although marginalized, the demonization of heavy metal and it’s followers by the church continues in the United States to this day.

What Does this all Mean?

When a mainstream/dominant culture demonizes or vilifies a smaller sub-group on a large-scale/macro level, there tend to be individual manifestations of this within the interactions between members of those cultures on a micro/individual level.

If the church and the government in the United States had not brought mainstream culture to a state of panic concerning heavy metal in the United States (elected representatives publicly speaking against the music, media demonizing fans and musicians alike, congressional hearings spurred by the PMRC resulting in the censorship and subsequent economic sanctions that occurred as a result, etc), there most likely wouldn’t have been such a tendency towards blaming heavy metal for societal ills on an individual/micro level.

Applying this to the situation in England, I’m guessing that greater cultural norms had a significant impact on the social landscape of the country. Considering that the pejorative term “mosher” even exists to describe anyone who is a member of the subcultures being discussed in this article – I’d say that’s a pretty safe bet. The negative mainstream cultural connotations attributed to metalheads and goths (and others) can be seen as both an indirect and a direct cause of these brutal hate crimes. This sort of hatred didn’t come out of thin air – it’s a logical conclusion that a similar societal pattern existed in England to the one in the United States that led to where we are today.

So, the legacy of Sophie Lancaster is best exemplified through the Sophie Lancaster Foundation – which is focused on creating respect for and understanding of subcultures within communities.

Moving Forward

I would argue that there is a responsibility on behalf of the global community of such subcultures (metalheads included) to not only remember such horrible events, but to recognize societal patterns that have proven historically to lead to this sort of violence and intolerance.

Because it’s not limited to England and the United States (or Christianity) – I recently wrote a piece dealing with a situation in Romania where the church has caused a stir in the local community.

darkfuneralconvo

After receiving the blessing (sic) of Lord Ahriman of Dark Funeral to use some of what he was saying/reporting on in the area, I wrote a piece detailing how the a Russian Orthodox Priest had petitioned the local government in protest of Dark Funeral’s recent concert in the area. the government, in turn, issued a vocal statement that they would allow the priest to decide who did or did not play at public venues in the area.

The problem with this is that in similar instances across the globe where a particularly fundamentalist religious population enlists and is granted government aide to strip a group of citizens of their rights leads to a societal marginalization that can (and has) led to individual incidents of violence against people of that particular group. And metal culture has been proven to be particularly susceptible to this around the world.

Whether it’s in Africa, South America, Latin America, the US, Europe, Russia, China, Malaysia, India, or anywhere else on the globe – it’s good for people to be aware that this sort of thing can and does happen.

Metalhead response to what happened to Sophie Lancaster has been a global phenomenon – it got a dialogue going where it was urgently needed, there have been metal festivals dedicated to her, Bloodstock Open Air has a stage dedicated to her, charity shows for the Sophie Lancaster foundation, a charity album, and most importantly – social change via legislation that classifies subculture abuse as a hate crime. And it’s something that, almost a decade later, still resonates with people on a very human level.

I think it’s safe to say this is, globally, something worth supporting.

 

Romanian Government Decrees all Metal Shows Must be Approved by the Church

Following a show by the band Dark Funeral at Rock Castle, Romania (a country that upholds the controversial figure Vlad the Impaler as a savior of Western civilization) has recently announced that all future metal shows in the area will have to be approved by the orthodox church. How ironic.

The first I heard of this situation was through the facebook posts of Lord Ahriman and his band Dark Funeral.

Dark Funeral

This is part of the greater narrative between metal and the church in Eastern Europe and Russia. With events such as arresting and then deporting Behemoth, sending a military unit to break up a cannibal corpse show while banning the bands lyrics and artwork, and more recently Russian Orthodox Priests spitting on metal bands at the airport – it’s safe to say the orthodox church has a stranglehold on both the government and culture of the area. Conflict between the church and extreme metal artists is not new – and often quickly reported on by independent metal media. And up until this point, the conflict has been centered on specific bands – and metal media has been quick to report on such things.

So why is it that now, when ALL METAL is being targeted by a cooperation between the government and church of Romania, is metal media silent about this? This isn’t targeted towards a specific band – they’ve literally declared that all metal shows must be approved by the church. This sort of censorship hasn’t happened in Western Culture since the fucking dark ages. Where is the metal media when it is needed the most? Where are the Social Justice Warriors/Hipsters who bitch about minor isolated occurrences in the metal scene and make them out to be such grand struggles?

I’ll tell you where they are. While parts of the world are working hand in hand with the church to ban metal music and oppress thousands of metal fans – sites like Metal Injection, MetalSucks, Blabbermouth, Pitchfork, Lambgoat, and the like are busy promoting a band that calls itself black metal while spewing a manifesto that goes completely against the spirit of the genre. They’re literally promoting a band that would see black metal reduced to a socially acceptable construct, free of the transgression inherent in the DNA of the genre.

I guess it’s only worth writing about if it effects a rich American white kid who pretends to be edgy and like transgressive art. It’s a sad day when the metal media is so self absorbed that they miss something as huge and culturally significant as what is going on in Romania right now.

Hornsuprocksdarkfuneral2016

Thank god the members of Dark Funeral have the fucking balls to stand up for transgressive art and freedom of speech and expression in an area that obviously needs it.

 

Both the Romanian government and metal media should be ashamed of themselves for their conduct (or lack thereof) towards this situation.

EDIT:

A note to the Romanian people,

I am not writing this in any way, shape, or form to insult the Romanians as a whole. The purpose of this article is to shed some light on a disturbing situation that is unfolding in your country.

Recently there was a festival at Bucovina Rock Castle with roughly 10,000 attendees. Following the show, the cultural association “Saint Metropolitan Dosoftei” caved to pressure put on them by a local priest.

The reaction was to grant him the ability to decide which bands are allowed to play in the town. This is in violation to several sections of the Romanian Constitution.

It violated article 15 (All citizens enjoy the rights and freedoms granted to them by the Constitution and other laws, and have the duties laid down thereby) by giving the priest and his congregation the freedom to take away the freedom of the 10,000 concert attendees.

Article 15
(1) All citizens enjoy the rights and freedoms granted to them by the Constitution and other laws, and have the duties laid down thereby.

It violated Article 16 (Citizens are equal before the law and public authorities, without any privilege or discrimination) in the same manner as article 15.

Article 16
(1) Citizens are equal before the law and public authorities, without any privilege or discrimination.

(2) No one is above the law.

It violated Article 29 almost in it’s entirety by forcing the religious ideals of one group on the masses.

Article 29
(1) Freedom of thought, opinion, and religious beliefs shall not be restricted in any form whatsoever. No one shall be compelled to embrace an opinion or religion contrary to his own convictions.

(2) Freedom of conscience is guaranteed; it must be manifested in a spirit of tolerance and mutual respect.

(3) All religions shall be free and organized in accordance with their own statutes, under the terms laid down by law.

(4) Any forms, means, acts or actions of religious enmity shall be prohibited in the relationships among the cults.

(5) Religious cults shall be autonomous from the State and shall enjoy support from it, including the facilitation of religious assistance in the army, in hospitals, prisons, homes and orphanages.

(6) Parents or legal tutors have the right to ensure, in accordance with their own convictions, the education of the minor children whose responsibility devolves on them)

It violated article 30 by allowing censorship of the freedom of expression of the 10,000 concert attendees:

Article 30
(1) Freedom of expression of thoughts, opinions, or beliefs, and freedom of any creation, by words, in writing, in pictures, by sounds or other means of communication in public are inviolable.

(2) Any censorship shall be prohibited.

(3) Freedom of the press also involves the free setting up of publications.

(4) No publication shall be suppressed.

(5) The law may impose upon the mass media the obligation to make public their financing source.

(6) Freedom of expression shall not be prejudicial to the dignity, honour, privacy of a person, and to the right to one’s own image.

(7) Any defamation of the country and the nation, any instigation to a war of aggression, to national, racial, class or religious hatred, any incitement to discrimination, territorial separatism, or public violence, as well as any obscene conduct contrary to morality shall be prohibited by law.

(8) Civil liability for any information or creation made public falls upon the publisher or producer, the author, the producer of the artistic performance, the owner of the copying facilities, radio or television station, under the terms laid down by law. Indictable offences of the press shall be established by law.

It restricts access to culture guaranteed under article 33…

Article 33
(1) The access to culture is guaranteed under the law.

(2) A person’s freedom to develop his/her spirituality and to get access to the values of national and universal culture shall not be limited.

(3) The State must make sure that spiritual identity is preserved, national culture is supported, arts are stimulated, cultural legacy is protected and preserved, contemporary creativity is developed, and Romania’s cultural and artistic values are promoted throughout the world.

It opens the door to economic restrictions on local metal bands not approved by the priest, and allows for the possibility of future violations of your citizen’s rights by limiting their access to the local economy in violation of article 45.

Article 45
Free access of persons to an economic activity, free enterprise, and their exercise under the law shall be guaranteed.

And the town council members are in violation of articles 54 and 57 through this act…

Article 54
(2) Citizens holding public offices, as well as the military are liable for the loyal fulfilment of the obligations they are bound to, and shall, for this purpose, take the oath as requested by law.

Article 57
Romanian citizens, foreign citizens, and stateless persons shall exercise their constitutional rights and freedoms in good faith, without any infringement of the rights and liberties of others.

So, while I might not live in Romania – the internet allows access to your laws. And your constitution is obviously based on the United States constitution (which I am very familiar with).

Maybe instead of getting angry at a person you will never meet over the internet you can focus your energies on protecting the rights of the 10,000 people who had multiple constitutional rights violations perpetrated against them to silence a dissenting priest and his congregation. Nothing about this action is OK.

Council of Suceava

When anyone acting under the authority of a government (even a public arts council who appropriates government funding) – they are acting for that government. The Suceava Council (elected officials) have responded to a letter from a pastor – stating they will allow him to have some say in who does and does not get to play in the country. So, when I say “Romanian Government decrees” that is exactly what I mean, and it is 100% true. Because, until your government says otherwise – this is the will of the Romanian government and people. You’re allowing the church to remove the rights of taxpayers, and to dictate the use of your tax dollars into cultural events that have to be approved by the church. That’s not democracy – that’s oligarchy.

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